![]() This is a SAFE Community and rudeness WILL NOT be tolerated. Message the mods and action will be taken. If anyone here looks down on your, speaks down on your, treats you poorly or rudely then that's on them. If you have personal thoughts, post them! A poll idea? Post it! A Review? Post it! You get the point. If you have a question, post it (tag it correctly, but post it). It's not a place for you to be afraid of who you are. This is a place of community and lighthearted discussion about our favorite musicals, songs, actors and soundtracks. ![]() When you make a post, please make sure you add the correct flair so that the page is tidy and organized - it makes it easier for everyone to navigate.ģ. Don't flaunt your knowledge over others or point out their lack of in a rude way. There are some people here who are new to it all, some people here who know musicals all too well. We all love musicals, either watching, listening, performing, discussing, or all four. Everyone on this page is here for a similar reason. Additionally, we hold a Listening Club thread to talk in depth about one particular musical and what we like/don't like/would change about it. No wonder it’s said to be the longest-running American musical in Broadway.Īnd that, guys, is how you end the year on a high note.Join us here to celebrate musical theater, the shows and composers we love, the actors and actresses who draw us into their worlds, and the technical gurus who transport us from where we are to where the authors want us to be.Įach week, we hold a "What Are You Listening To This Week" thread to chat about what's been cycling on our listening devices. I was definitely razzle-dazzled and impressed by this production. MacLeod rocked the roles of Roxie Hart and Velma Kelly respectively, and so did the actors who played Billy Flynn, Amos, and “Mama.” I enjoyed how the cast interacted with the orchestra, especially with the conductor and how they broke the fourth wall at times. Now, that’s talent. Bianca Marroquin and Terra C. It amazes me how the cast managed to pull off those moves and stunts while singing at full voice and, for some of them, wearing heels to boot. Apart from the clever storyline and the riveting music, there are the crazy-good dance sequences. That’s the perfect word for Chicago: entertaining. Sadly, we still see this going on today-criminals and lawyers toying with the public to get out of a rightful sentence. Though I’d seen the film, it was only when I watched the live production that I fully realized the genius behind John Kander, Fred Ebb, and Bob Fosse’s creation. I loved how the lights were utilized to give the illusion of prison cells and to highlight the glitz and glamor that masked the alarming truth behind the musical. The stage was smaller than I’d expected, but the American performance company made excellent use of it, with the cast maximizing every inch of space that wasn’t taken up by the orchestra. The upside for us was that we were able to switch seats and get a much better view. I’m guessing people were busy with Christmas parties and last-minute shopping. Surprisingly, the newly opened Theater at Solaire was far from full, at least in the balcony where we were seated. ![]() We caught one of the last shows in Manila. I hadn’t planned on watching Chicago live since I’d already seen the movie, but my sister asked for tickets to the show as my parents’ gift to her, so I ended up happily accompanying her. ![]() I’ve got a lot to share with you guys, but for now, I’ll start with the end…the end of my 2014 theater exploits, that is. So my blogging streak has been interrupted once again, this time by the holiday madness.
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